The Independent's Andrew Johnson reports on the increasing prominence and success of award winning African productions, various industry commentators opine:"African theatre is very eclectic and very narrative driven, which I think appeals to audiences. Here it's very much more reflective and intellectual," states Nick KentWhile Yvette Hutchison thinks that "European theatre became very intellectual and rational after the Enlightenment. African theatre remains spiritual and metaphysical. There is also less formality – the audience expects to contribute."-. In conclusion Mark Dornford-May talks about "a relief after the "politeness" found in European theatre."...[continue reading]Shows to watch out for include:
-Death and the King's Horseman by Wole Soyinka
-Yiimimangaliso, by the South African theatre company Isango Portobello
-Karoo Moose
-Koos Sas: Last Bushman of Montagu
-The Observer
-Lost in the Stars
-Iya-lle (The First Wife)
We seem to be in the midst of an emerging self reinforcing cultural dynamic, ranging across the arts from film and music to the visual arts, dance and beyond
Image: Iya-lle(The First Wife)
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